Selected
projects.

PKN brought us in as their assembly partner for the lobby of the new Fairmont — working alongside Nüssli and Hanák Contract. Our scope was primarily wall cladding and the complete furniture installation. The project called for an agile partner capable of meeting the exacting standards and tight schedules a five-star hospitality opening demands.

The building, formerly the Hotel Intercontinental, carries heritage protection status. Every method, fixing and finish had to respect the listed fabric of the building — all within a schedule that had several contractors sharing the site at once.

Nüssli brought us back to the National Museum — this time for Přemyslovci, an exhibition on the Přemyslid dynasty built around manuscripts, reliquaries and other artefacts from the earliest history of the Czech state. Our job was the exhibition installation: walls, display cases and plinths, with the exhibits moving in only after we were done.

Working in direct proximity to exhibition pieces of near-incalculable value demands a different quality of attention. Speed and efficiency still matter — but not at any cost. It was already the second exhibition we had installed for Nüssli at the National Museum — and the relationship continues.

Amos Design selected us specifically for our experience with Corian installation. Our task: the decorative Corian installations of the reception — across the tall ceilings and columns of one of Prague's most significant new buildings.

Nová Masaryčka — designed by Zaha Hadid Architects, developed by Penta — has exceptionally tall ceilings. Corian at that scale and height isn't a job for just anyone: it takes a team trained specifically on the material, technical precision and careful logistics.

For Bratra and Ahrend we delivered interiors for Škoda showrooms in France and Germany: illuminated display podiums for the cars, backlit with LED strips, floor coverings, wooden interior furniture and ceiling lights.

A carmaker's showroom is an extension of the brand — every detail has to match its manual, whichever country it stands in. Assembling abroad also means everything has to be ready in advance: there's no workshop round the corner and no second chance to ship a missing part.

Scénografie brought us in for one of the more exposed jobs we've taken on — full set assembly for Stardance, broadcast live on Czech Television to a national audience.

The deadlines were non-negotiable by definition. Assembly happened in direct view of a live broadcast schedule that moved for no one. There was no buffer, no second take, and nowhere to hide.

A bar meant to read as a natural continuation of the venue's façade. We collaborated with the owner on its final design and delivered it in full — including the back-bar service area, from design to assembly. On top of that came a complete renovation of the wooden elements and furniture, indoors and out.

The new bar couldn't look like an add-on — it had to look like part of the building. Its signature is the inset LED strips: a detail that only works when every joint and edge is executed with absolute precision. And the outdoor timber has to hold up not just on opening day, but through years of weather and service.